MIC/LINE Input Channels
The XLR microphone input is equipped with an extremely high
quality, ultra-low noise, discrete preamp.
The +48V phantom power for condenser microphones can be switched
in groups of six.
The Line Input and Channel Insert are implemented as jack
sockets.
The Gain can be controlled in the range 0-60 dB.
The switchable Lo Cut filter (80Hz, 18dB/oct.)
serves to eliminate low-frequency noise. A very typical DYNACORD
feature is the asymmetrical Voicing Filter by
means of which, if desired, the voice can be powerfully
emphasized in the mix.
Optimized for ease-of-use, the 3-band semi-parametric equalizer
makes it possible even for unpracticed users to perform the
requisite corrections swiftly and intuitively.
With their extended buss structures, the CMS3 mixers offer very
flexible configuration options. In all, 6 AUX
busses are available in each case:
2 (FX) are assiged to the two effects devices;
2 (AUX) can be configured either as monitor or effects sends by
means of a switch in the Main section;
2 (MON) are designed as monitor sends, each being equipped with a
sweepable anti-feedback filter in the Master section. MUTE and PFL switches, each with its own LED,
make it possible to mute each input channel individually and/or
listen to its pre-fader signal.
Each channel offers a Signal Present and Peak LED for level
control.
The channel faders are dust-protected and offer not only
excellent crosstalk attenuation but also a practice-optimized
control characteristic.
All potentiometers and faders are high-quality components from
ALPS. Stereo MIC/LINE Input Channels
The stereo input channels are equipped in much the same way, but
optimized, naturally, to carry stereo signals.
Two of the four stereo inputs of each model are additionally
equipped with cinch (RCA) sockets switched in parallel for CD or
MP3 players.
The two other stereo inputs receive in addition the four channels
of the digital audio interface USB 1-2 and USB 3-4
Separate Gain controls are provided for the Stereo Line and Mic
inputs to permit them to be used in parallel if desired.
Three-band tone controls are provided, and a Balance control
replaces the PAN control found in the mono channel strips. MASTER
In the Master Section, too, the CMS3 mixers are lavishly
equipped.
The 11-band stereo equalizer can be routed to
the Master channels or else to either or both of the Monitor
Sends according to choice.
The FX1+2 Returns as well as the AUX1+2 and MON1+2 Sends are on
faders just like the Master L/R signal, which makes for
comfortable and intuitive operation.
The Master B signal is available pre or post
MASTER L/R fader and can be mono-summed if desired. The Master
signal is also available on the REC Send cinch (RCA) output with
level control.
The level meters of the CMS3 comprise two LED chains of 12 LEDs
each. The display range covers 40 dB; what is shown is the level
in dBu at the master outputs. When the PFL switch is activated,
the left-hand LED chain shows the internal level of the master
buss in dBu.
The Standby switch mutes all channels e.g.
during pauses, with only the 2TRACK-to-Master input remaining
active for the playback of interval music.
A 4-pin XLR socket is provided for the connection of a standard
12V/5W gooseneck lamp. DIGITAL USB 2.0 AUDIO
INTERFACE
The USB 2.0 port serves as a digital audio interface between the
CMS3 and a PC or Mac. Four channels can be transmitted in either
direction simultaneously. This interface can therefore be used
either for the input of audio signals (e.g. for playback or
interval music) or else for live- or studio-recording
applications. It is configured by selecting the relevant setting
in the menu.
For the use of the CMS3 with a PC or Mac, a free Cubase LE
license as well as the requisite USB drivers are included
free-of-charge on the supplied DVD. PC MIDI Interface
The CMS3 also offers a fully-featured PC MIDI interface.
The MIDI input also supports the remote switching of both
internal effects units using a master keyboard or MIDI
footswitch.
Professional Effects, OLED Display and
Processing Menus
The CMS3 has two integrated stereo multi-effects processors that
work independently of one another, each offering 100 effects
algorithms optimized for live performance, the most important
parameters of which are editable.
Linear 24-bit AD/DA converters and 48-bit double-precision
processing guarantee the finest studio quality based on
state-of-the-art technology.
The 100 program locations of each device are packed with
high-quality reverbs, halls and plates that deliver professional
results in live performance on stage as well as in both studio
and home recording environments.
Other presets include Echo/Reverb and Chorus/Echo combinations, a
variety of delay, flanger, chorus and doubling algorithms, as
well as special reverb and delay programs. When a delay effect is
active, the delay time can be synchronized to the beat of the
music using the TAP key.
Edited effects programs can be stored in the 20 User
memories offered by each device, assigned names, and
later selected and used in the same way as the presets.
The large, high-contrast OLED display is easily
read from a wide range of viewing angles—even in very bright
surroundings. The operation of the effects units and processing
menus is intuitive and made easier still through the use of soft
keys and a rotary encoder. Processing Menus
For the basic settings, configuration, use of the effects and
special functions, a wide variety of editing options can be
selected from the clearly arranged menus. Innovative Solution for Protection and
Transportation
Optionally available for the CMS 1000 and 1600 is a very robust
plastic lid with an integrated handle—a highly innovative
solution that offers optimal protection for the device as well as
greater carrying comfort.
For the CMS 2200, due to its greater size, a flight-case solution
is recommended (available as a further option is a dust cover:
the DC-PM2200-COVER). Accessories
For rack installation of the CMS 1000 (or table installation of
the models 1600 and 2200), the mounting kit RMK 1000-3 is
available.
Other accessories include the gooseneck light DC-LITLITE-4P and
the DC-FS11 ON/OFF footswitch for the effects units.